everything_others

Satoshi HASHIMOTO, Pie Charts: Everything and Others, 2014

 

LISTE 2016 – Art Fair Basel

Satoshi HASHIMOTO

Everything and Others

Booth # 331
 
 
Date: June 14 – 19
Preview:
Monday, June 13th 2016, 12 am – 5 pm
Vernissage:
Monday, June 13th 2016, 5 pm – 9 pm

LISTE Art Fair Basel
Burgweg 15 – CH- 4058 Basel, Switzerland
www.liste.ch

Aoyama Meguro is pleased to announce the solo exhibiton of Satoshi HASHIMOTO at LISTE – Art Fair Basel 2016

Artist:
Satoshi HASHIMOTO

Artspace:
http://www.artspace.com/partners/aoyama_meguro

BlouinArt info
Sneak Peek: What to Expect at LISTE 2016

 

Satoshi Hashimoto: Everything and others

The weight scale placed in the gallery is not an object of your vision. Conversely, that scale objectifies your mass. The mass of the Earth is 5.972 x 10^24kg. Your body weight is included in the value. But the proportion is extremely low. The world is almost entirely composed of things other than you. But we actually perceive the world in more complex way.
What percentage of the weather forecast whose rainfall probability is 100% can go wrong? The space of probability and statistics consists of supposing a whole (Ω) and dividing it. However, there are “others” which always exist and are not included in the “everything.” Hashimoto has conducted diverse activities that extend beyond existing frameworks of art. Outside of the gallery space, he buried himself on a river bank, wet his pants at lectures, and ate park pigeons. But he is not an outsider of the art world. He also conducted research on the authorized history of art from Leonardo da Vinci to Robert Smithson and exhibited the results at galleries and museums. But he is not an insider, either. He explores the other side of the distinctive system composed of the dichotomy of the outside/inside.

The viewer’s expectations on his artwork are frequently unfulfilled. There is no “artwork” there, a display of the creative act of the artist or its outcome. He brings disorder to the distinctive system of artist/artwork/viewer that makes the experience surrounding art static, although it was originally indeterminate. A hammer or paint sprays placed with the instructions of “You can hammer yourself” or “You can paint yourself” are not constative objects, but performative prompters of the viewer’s acts. The viewers become the subject as well as object of the acts such as hammering or painting. The viewers, performers in place of the artist, frequently lose their grasp on the subject of their acts, if the focus is on themselves or the artist who gave them the instructions. In “Arbitrary Decisions and Prejudices: I Divide the Audience,” viewers are lined up in front of the artist and evaluated only through their appearance. Here, the role of the artist and viewer is interchanged. The art viewer of the modern age is forced to perform a role of a critic who correctly appraises an artist through his/her artwork. By liberating the artist, artwork, and viewer from the role, the experience becomes insecure. He throws everything into a hole.

Katsumasa Matsui

 

LISTE_LOGO_SW_01　　bunkacho

Supported by the Agency for Cultural Affairs Government of Japan in the fiscal 2014

 

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Satoshi HASHIMOTO, Photographer: Bodybuilder, 2014

 

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Satoshi Hashimoto, Koki Tanaka : MOT Annual 2016, Loose Lips Save Ships (Museum of Contemporary Art Tokyo)

3.5 – 5.29, 2016


MOT Annual 2016 Loose Lips Save Ships

 

Period: March 5 (sat)-May 29 (sun) 2016
Closed on  Mondays (except for March 21,May 2, May 23), March 22
Opening Hours: 10:00-18:00
*Last admission to the gallery floor & last ticket purchase is 30minutes before the closing hour.
Venue: Museum of Contemporary Art Tokyo (MOT) Exhibition Gallery B2F
Admission:   Adults: 1,000yen University Students, Over 65: 800yen, High School & Junior High Students: 500yen, Elementary School & Under: Free

 

Artists:
Mai Endo＋Yasuto Masumoto, Meiro Koizumi, Hajime Saito, Artur Żmijewski, Fuyuhiko Takata, Satoshi Hashimoto, Hikaru Fujii, Seiichi Furuya, Dan Perjovschi, Toru Yokota etc.

Organized by:
Tokyo Metropolitan Foundation for History and Culture, Museum of Contemporary Art Tokyo

Exhibition Direction:
Meiro Koizumi*, Yasuto Masumoto*, Hiroharu Mori*, Kazuhiko Yoshizaki(MOT)

Book Direction:
Koki Tanaka* ＋ Arts Commons Tokyo(English sections:Yuki Okumura* ＋ Art Translators Collective)
*=ARTISTS’ GUILD, MOT=Museum of Contemporary Art Tokyo

Graphic Design:
Kentaro Nakamura

 

Outline

Showcasing young artists who represent new trends in contemporary art in Japan, “MOT Annual” is a consecutive series of group exhibitions launched in 1999, organized by the Museum of Contemporary Art Tokyo. Co-curated by ARTISTS’ GUILD, an artist-led organization that develops experimental projects to improve the environments of artistic expression, this exhibition marks the MOT Annual’s 14th installment and is presented in a somewhat different format from its predecessors.

Surveying contemporary society, while everyone can now make their voice heard freely through the Internet, there is also growing intolerance against opinions that differ from the values of the majority. Various frictions created by this contortion are evident, and sites of creative expression are no exception. Under such circumstances, what kind of impact on society and people can artistic expression and action make by challenging existing sets of values and social norms, and raising radical questions?

Through in-depth discussions, ARTISTS’ GUILD and the museum have developed every aspect of the exhibition, from theme to structure. With artworks created by both Japanese and international artists, live performances, talks and a book publication, the project poses various questions concerning conditions of artistic expressions and social situations today. Recognizing the significance of acts of vocalization without fear of saying improper things, as the title “Loose Lips Save Ships” suggests, the exhibition aims to build a platform where multiple interpretations based on different perspectives intersect with one another.

 

About ARTISTS’ GUILD

ARTISTS’ GUILD (AG) is a form of social experiment initiated by artists to explore new possibilities for supporting art.
In 2009, AG launched a video equipment sharing system with the aim of reducing the financial burden for individual artists to make artworks and exhibitions. In 2013, AG established AG Productions LLC, an incorporated organization that engages in art praxis with a different approach to that of artists working individually by undertaking video documentation of exhibitions and related events.

ARTISTS’ GUILD HP

 

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soutome_hikikomisen

Teppei Soutome : railroad siding 2015 (Ex-Tokorozawa city supply center of school meals, Tokorozawa)

 

8.29 – 9.23, 2015

 

railroad siding 2015

from August 29, 2015 to September 23, 2015  *Open everyday
Exhibition Hours: 10:00-17:00
Venue : Ex-Tokorozawa city supply center of school meals, Tokyo
Fee：Free

 

Artists:

Tomohito Ishii, Makoto Ito, Toshikatsu Endo, Shiho Kagabu, Yohei Kina, Conceptual Architect, Eisuke Shinozaki, Yoshio Shirakawa,Fuminao Suenaga, Teppei Soutome, Kanako Tada, Michiko Tsuda, Takayoshi Tsuchiya, Shoko Toda, Motohiro Tomii, Shigeo Toya, Masaki Nakayama, Takeshi Hosaka, Hajime Mizutani, Aya Momose, Youichiro Yoshikawa

 

Writer:

Mayumi Abe,Toru Arakawa, Daisuke Awata, Takuma Ishikawa, Takashi Ishizaki, Koji Inoue, Gen Umezu, OJUN, Ryo Katsumata, Fumihiko Sumitomo, Shinichi Takashima, Eijiro Takahashi, Koki Tanaka, Arata Tani, Hajime Nariai, Yoko Nose, Satoshi Hashimoto, Ryoichi Hirai, Tatsuo Majima, Tomohiro Masuda, Toshiaki Minemura, Keisuke Mori

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Satoshi Hashimoto : An Art User Conference “Earth project in Miyagi”–Robert Smithson without Robert Smithson (Kazenosawa Museum of Contemporary Art, Miyagi)

 

4.18 – 11.22. 2015

 

Earth project in Miyagi
Robert Smithson without Robert Smithson

An Art User Conference

April 18, 2015 – November 22, 2015
Closed on Wednesday and Thursday
Open from 11:00 am to 17:00 pm
Opening Reception: Sunday, April 19, 11 am

Kazenosawa Museum of Contemporary Art
11 Sodenosawa Ichihasamakatagozawa Kurihara-shi, Miyagi 987-2302

http://kazenosawa.jp/contemporaryart/smithsonland/
 



An Art User Conference

https://www.facebook.com/groups/1577514499172369/

 

 

vew_突堤と切り通し

Dug Slant, Robert Smithson without Robert Smithson, 2014, Earthwork

artistsguild-e1423041939855

AG_naka_S

 

Koki Tanaka, Hiroaki Morita, Satoshi Hashimoto : the MOT 20th anniversary talk session “ARTISTS’ GUILD”: Artists as the dweller (MUSEUM OF CONTEMPORARY ART TOKYO, Tokyo)

 

2.21 – 22.2015

http://www.mot-art-museum.jp/exhibition/docs/AG

http://artists-guild.net/

 

 
“ARTISTS’ GUILD” (artists guild) is the membership system art support system for artists by the artist. I build a system sharing necessary machine parts for work production and display and am active for the purpose of improving the environment where a Japanese artist is employed from 2009.
This plan clarifies the present conditions of the Japanese artist from a system, education, politics, the economy for two days, plural talking and the free discussion in the temporary cafe that leave it, and focused on various topics of one of the work under the theme of “art and life” and tries a proposal for it.

The date and time:

It is a place for from 11:30 to 17:45 on Sunday for 22 days for from 10:30 to 20:00 on Saturday, February 21, 2015: Museum of Contemporary Art Tokyo lecture hall, training room other no charge for admission
 
 
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Please Quit

Satoshi Hashimoto : Please Quit (Musashino Art University,Tokyo)

November 11 – 27, 2014

10:00-18:00 , closed on Sundays and national holidays
reception for the artist : November 11, 2014, 18:00 – 20:000
Venue：madogiwa（Musashino Art University Building No. 2, second floor, 209
Admission:Free

・“Fw: Japanese Diet Members and Prime Minister and Ministers of State”
　November 11：15:00-20:00,      November 12：10:00-20:00
　Venue：FAL（Musashino Art University Building No. 2, first floor）
　Admission:Free

Musashino Art University

1-736 Ogawa-cho, Kodaira-shi, Tokyo 187-8505 Japan
http://www.musabi.ac.jp/english/access/

Musashino Art University Sculpture Lab

（TEL:042-342-6055）

 

SatoshiHashimoto_Fw-The Successive Presidents of the United States of America_2014

Satoshi Hashimoto : Nation, Dice, Instruction, (Daiwa Foundation Japan House, London)

9.25 – 10.18.2014

25 September – 18 October 2014
Admission free, Monday – Friday 9:30am – 5pm
*Special Frieze opening: Saturday, 18 October 2014 (10am – 5pm)

Private View: 6-8pm, 25 September 2014
Artist Talk: 6:30pm, 25 September 2014

Daiwa Foundation Japan House
13/14 Cornwall Terrace
London NW1 4QP
020-7486-4348

http://www.dajf.org.uk/event/nation-dice-instruction-private-view-and-artist-talk

satoshi

Satoshi Hashimoto / Fw:

September 1 – 13, 2014
12:00-19:00 (last day until 17:00）, Closed on Sunday
Opening reception: September 1, 2014, 18:00 –

Workshop: Saturday, September 6, 2014, 17:00 –

Galerie Omotesando
Arch Atrium B02, 4-17-3 Jingumae, Shibuya-ku, Tokyo 150-0001
6 minutes walk from Omotesando Station
http://www.omotesando-garo.com/intro/index.html

Curated by Miyako Takeshita + Galerie Omotesando
Supported by AOYAMA|MEGURO

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“Fw: The Successive Presidents of the United States of America” | 2014 | list of the successive President of the United States of America | printed paper, endless copies, variable size

AOYAMA | MEGURO will be participating in Art Fair Tokyo in a shared booth with GALLERY KOCHUTEN http://www.kochuten.net/.
 
 
Total Recall – Works of Mitsutoshi Hanaga (1959 – 1999)
Date: March 6 (Thurs) – 9th (Sun) Booth: L46 http://artfairtokyo.com/featured/15918.html
 
*Many of Mitsutoshi Hanaga’s photographic documentations are still unidentified. We are currently seeking information to investigate their contents.
 
FH020020.
Dairakudakan Kudankaikan, May 15th & 16th, 1973, Photography: Mitsutoshi Hanaga
＿
 
At this year’s Art Fair Tokyo, AOYAMA | MEGURO and GALLERY KOCHUTEN are pleased to announce the full-fledged introduction of the photographic works by Mitsutoshi Hanaga (1933-1999),
 
Since the 1960s, Hanaga had actively documented Butoh, Little Theater Movement, avant-garde artists’ happenings and events, and even extended to social issues such as kogai (pollution), the Japanese student movement and commune activities. The photographs he left behind are more than 10,000 stills of historical facts which later became legendary.
 
Throughout his life, Hanaga had always gone out to the site and had become the firsthand witness by working closely with the creators, and many of his photographic records are regarded today as valuable documents, and they are now beginning to be exhibited in museums.
 
While this exhibition will showcase approximately 600 items including many unpublished works, it will also serve as a place to survey their contents.
_
 
(other photographic documentations to be exhibited. Names listed in random order, titles omitted.) Kanji Itoi (Dadakan), Tenjo Sajiki, Jokyo Gekijo, Tatsumi Hijikata, Sankai Juku, Yoko Ashikawa, Kazuo Ohno, Akira Kasai, Min Tanaka, Shuzo Takiguchi, Aiko Miyawaki, Yutaka Matsuzawa, Zero Jigen, Yutokutaishi Akiyama, Testuo Koyama, GUN, Ushio Shinohara, Masunobu Yoshimura, Tatsumi Yoshino, Shuzo Azuchi Gulliver, Mitsutaka Ishii, Yasunao Tone, Sho Kazakura, Keigo Yamamoto, Taj Mahal Travelers, Yoshida Yoshie, Kokuin, Kenji Kanasaka, Rikuro Miyai, Yayoi Kusama, Kuni Chiya, Byakkosha, , and more, still under investigation.Production: Mitsutoshi Hanaga Project Committee Venue: Art Fair Tokyo 2014 OUTLNE, Booth: L46 (GALLERY KOCHUTEN + AOYAMA | MEGURO)
 
FH010018.
 
Kanji Itoi (Dadakan), September 20th, 1970, Sendai, Photographer: Mitsutoshi Hanaga＿
 
[Event] Satoshi Hashimoto “Photographer (Art Market, Photographer): BodyBuilder” (3/8 11:00 – 20:00)
 
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Satoshi Hasimoto’s “Photographer (Art Market, Photographer): Bodybuilder” comprised of photo shooting, a bodybuilder and an art fair, will be held during opening hours on March 8th (Sat) at Art Fair Tokyo. The photographs from the event will be exhibited on March 9th (Sun). Date and Time: March 8th (Sat), 2014, 11:00 – 20:00 Place: Art Fair Tokyo venue (Tokyo International Forum) http://artfairtokyo.com/en/about.html Bodybuilder: Yutaka Ono Sponsorship: Art Fair Tokyo Committee Organizers: AOYAMA | MEGURO, Satoshi Hashimoto ＿ Satoshi Hashimoto
Born in 1977 (Leonardo da Vinci 1452-1519, Yuichi Takahashi 1828-1894). A member of Kiso Geijutsu – Contemporary Art Think-tank since 2012. Recently exhibited in “Can’t Go, Please Come” (2010, ARCUS), “More of an activity” (2010, Hiroshima City Museum of Contemporary Art) ,”‘Sell Me Your Concept’ in India” (2011, India), “Omnilogue: JOURNEY TO THE WEST” (2012, Lalit Kara Academy, New Delhi), “Arbitrary Decisions and Prejudices: I Divide the Audience”（2012, The National Art Center, Tokyo), “You fill in ‘***.’ (provisionally)” (2012, blanClass), “False name”（”14 EVENINGS”, The National Museum of Modern Art, Tokyo), “I was Leonardo da Vinci. I sell my soul. I sell heaven”（2013, AOYAMA | MEGURO), “Lives of the Future Artists IV”(2017, Tokyo), etc.Yutaka Ono
Born in 1973. Height 175cm. One of the few heavyweight bodybuilders in Japan who competes actively in NPC America. Notable competition titles includes: 2001 “NPC Ironman/Ironmaiden” (Light Heavyweight 5th), 2003 “NPC Excalibur” (Heavyweight 5th); 2006 “Central Japan Championships” (Heavyweight 1st); “NPC Tournament of Champions” (Heavyweight 2nd); 2007 “NPC Tournament of Champions” (Heavyweight 3rd); 2008 “Mr. Los Angeles” (Heavyweight 3rd); “Central Japan Championships” (Heavyweight and Overall 1st) 2009 “Central Japan Championships” (Heavyweight 1st); 2010 “Mr. Los Angeles” (Heavyweight 3rd); “Central Japan Championships” (Heavyweight 1st); 2013 “NPC Excalibur” (Heavyweight 2nd); “Masters” (Heavyweight and Overall 1st), etc.
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