Tatsushi Omori (Film director. The Ravine of Goodbye (2013))
Aoyama Meguro is pleased to announce the introduction of work by Mitsutoshi Hanaga (1933-1999) for the second time since last year’s Art Fair Tokyo.
Most notable for his photographic documentations of Hi-Red Center (Jiro Takamatsu, Genpei Akasegawa, Natsuyuki Nakanishi), Tetsumi Kudo, Ushio Shinohara, Akaji Maro (Dairakudakan) and many others, Hanaga’s work has been attracting attention in recent years. This exhibition will mainly center on Hanaga’s photographic records of outdoor performances by avant-garde artists.
The statement below is cited from Mitsutoshi Hanaga’s official website.
Throughout his life, Mitsutoshi Hanaga had always worked closely with the creators on-site, and had become the firsthand witness of artistic production. Many of his legendary photographs are considered today as a valuable work, and they have been shown in numerous museums. This exhibition will showcase over 200 photographs, including many unpublished prints, and it will again serve as an opportunity to investigate its content.
(other photographic documentations to be exhibited. Names listed in random order, titles omitted.)
Ay-o, Tadanori Yokoo, Kikuji Yamashita, Sankichi Ota, Shintaro Tanaka, Shoumei Thomatsu, Junzo Ishiko, Mono-ha, Katsuhiro Yamaguchi, Koshin Sakurai, Keiichiro Sakuma, Shinzaburo Okamoto, Michio Fukuoka, Minoru Kinjo, Bikky Sunazawa, Koujin Toneyama, Shimon Yotsuya, Kanji Itoi (Dadakan), Sawako Goda, Kuniyoshi Kaneko, Tenjo Sajiki, Shuji Terayama, Juro Kara, Jokyo Gekijo, Arata Isozaki, Shuzo Takiguchi, Junzaburo Nishiwaki, Ichiro Hariu, Tamon Miki, MOON Seung-Keun, Shuzo Takiguchi, Aiko Miyawaki, Yutaka Matsuzawa, Zero Jigen, Yutokutaishi Akiyama, Testuo Koyama, GUN, Ushio Shinohara, Masunobu Yoshimura, Tatsumi Yoshino, Shuzo Azuchi Gulliver, Mitsutaka Ishii, Yasunao Tone, Sho Kazakura, Keigo Yamamoto, Taj Mahal Travelers, Yoshida Yoshie, Kokuin, Kenji Kanasaka, Rikuro Miyai, Yayoi Kusama, Kurohata and more, still under investigation.
1933年 東京・大塚生まれ、1999年没。
羽永光利は、1950年代後半から1980年代後半にかけて日本の社会が大きく移り変わりゆく時代を潜り抜け、その生涯をかけて凡そ10万カットもの写真を残しました。戦後の高度成長期の一方で、日本が様々な矛盾と社会問題を抱える時代において、羽永は弱者や辺境の人々の視点から、社会運動、学園闘争、公害問題、街頭や酒場での若者達、暗黒舞踏やアングラ演劇、そして当時まともには相手にされなかった前衛芸術など多岐に渡る現場で記録し続けました。これらの様々な現場でありながら至近距離で一貫して供走し続けた作風は羽永以外におりません。近年になって、その膨大な写真群の全貌が明らかになるにつれて、羽永の存在は単に「時代の目撃者」や「カメラマン」というだけでなく、パフォーマンス・アートの文脈から「現場に介入し撮影を繰り返すラディカルな行為そのものが羽永光利の芸術ではないか」と国内外で注目を集めています。