Koki-Tanaka-Provisorische-Studien

Koki TANAKA Opening announcement in Tulln on June 12, 1977, immediately before the walk towards Zwentendorf, photographed by Friedrich Witzany, courtesy of Sigrid Schönfelder, Photo: Koki Tanaka

 

Koki TANAKA: Provisional Studies (Working Title) (Kunsthaus Graz, Space02)

 

6.23 – 8.27, 2017

 

Provisional Studies (Working Title)


Date:

23 June – 27 August, 2017 

Venue:
Kunsthaus Graz, Space02
Lendkai 1 
8020 Graz, Österreich

Opening Hours
Tue-Sun, public holidays 10am – 5pm

Opening: 22.06.2017
 
Curated by: Barbara Steiner

 

 

About the exhibition

Can you compose a sound track jointly and have five people play it on one piano? Can seven people write a protest song together? The Japanese artist Koki Tanaka creates situations—or you could call them ‘experimental set-ups’—that invite people to try out tasks that seem impossible. His works often revolve around the question: what and how can we achieve together?

In Tanaka’s first solo exhibition in Austria, the Kunsthaus Graz will show projects that involve collectivity and the potential for joint action. These include a new film work whose starting-point is the protest against the startup of the Zwentendorf Nuclear Power Plant in the late 1970s. Tanaka’s interest is also very much to do with the major earthquake and Fukushima disaster of 2011, as well as the resulting collective actions that took place in Japan, including silent protests, against nuclear energy.

A feature shared by all of the projects is that participants have to be open to exchange, develop a sense of community and creativity and at the same time explore new rules of negotiation and collaboration. Apart from his interest in collective forms of protest, Koki Tanaka’s focus lies on recollection, the identity-building function of shared events burned into the memory and their actualisation for the present day.

 

via: https://www.museum-joanneum.at/en/kunsthaus-graz/exhibitions/exhibitions/events/event/5662/koki-tanaka-3

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Koki TANAKA Precarious Tasks #8: Going home could not be daily routine (film still), 2014
Collective Acts, video documentation in the suburbs of London (June 2014);
Videos, 25′ 20″; 9′ 22″; 27′ 46″; 46′ 35″; 7′ 22″
Commissioned by the Institute of Contemporary Arts, London,
on the occasion of their exhibition Journal, curated by Matt Williams.
Courtesy of the artist
Photo: Courtesy of the artist, Vitamin Creative Space, Guangzhou and Aoyama Meguro, Tokyo

 

Koki TANAKA: Action! (Kunsthaus Zürich)

 

6.23 – 7.30, 2017

 

Action!

Date:
23 June – 30 July 2017 

Venue:
Kunsthaus Zürich 

Kunsthaus Zürich, Heimplatz 1, CH 8001 Zurich
+41 (0)44 253 84 84
www.kunsthaus.ch
info@kunsthaus.ch


Opening hours
Fri-Sun/Tues 10 a.m. – 6 p.m., Wed, Thurs 10 a.m. – 8 p.m.

Admission including one re-entry (e.g. for performance) and collection
CHF 26 / 19 concessions and groups
Admission free to visitors up to the age of 16.

 

 

>>All Koki Tanaka Events

 

Includes works by:
Mounira Al Solh (b. 1978),
Francis Alÿs (b. 1959),
Nina Beier (b. 1975),
!Mediengruppe Bitnik, Trisha Brown (1936–2017),
Tania Bruguera (b. 1968),
Lucinda Childs (b. 1940) / Ruth Childs ( b. 1984),
Guy Debord (1931–1994),
Valie Export (b. 1940),
William Forsythe (b. 1949),
Simone Forti (b. 1935),
Guerrilla Girls, Sharon Hayes (b. 1970),
Adelita Husni-Bey (b. 1985),
Florence Jung (b. 1986),
Allan Kaprow (1927–2006) / San Keller (b. 1971),
Georg Keller (b. 1981),
Dieter Meier (b. 1945),
Musée de la danse / Boris Charmatz (b. 1973) / Aernout Mik (b. 1962),
Yoko Ono (b. 1933),
Ahmet Ögut (b. 1981),
Adrian Piper (b. 1948),
Alexandra Pirici (b. 1982),
Rimini Protokoll, Tracey Rose (b. 1974),
Tino Sehgal (b. 1976),
Marinella Senatore (b. 1977),
Cally Spooner (b. 1983),
Koki Tanaka (b. 1975).

Sorry, this entry is only available in Japanese.

 

liste2017_orimoto

Tatsumi ORIMOTO, Bread Man, Tokyo, Aug 16, 1991, digital print, 900 x 600 cm

 

LISTE – Art Fair Basel 2017
Booth # 331

 

6.12 – 17, 2017

 

Installation view, LISTE – Art Fair Basel 2017

 

LISTE Art Fair Basel
Burgweg 15 – CH- 4058 Basel Switzerland

Fair
Tuesday-Saturday, June 13-17, 1 to 9 p.m.
Sunday, June 18, 1 to 6 p.m.

Preview (only by invitation)
Monday, June 12, noon to 5 p.m.

Public Opening Reception
Monday, June 12, 5 to 9 p.m.

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Tatsumi ORIMOTO, ART-MAMA+SON WITH BIG BREAD, 2012

 

Aoyama Meguro is pleased to announce its participation in LISTE – Art Fair Basel 2017.

Artists:
Koki TANAKA, 1975, JP
Tatsumi ORIMOTO, 1946, JP

More info: LISTE Art Fair Basel

 

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Koki TANAKA, everyday statement (other cheese toasts in other days), 2010, digital print, 685 x 1030mm

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1967年12月9日 ゼロ次元(加藤好弘)「全裸防毒面歩行儀式」(撮影:羽永光利)

 

ART PHOTO TOKYO -edition zero- /Booth 311(茅場町共同ビルディング・東京)


11.17 – 20, 2016

Booth: 3F, 311
Artists:羽永光利、田中功起、折元立身、橋本聡

日時:VIP招待:2016年11月17日(木)
First Choice: 15:00-17:00
Opening Reception: 18:00-21:00

一般開場:2016年11月18日(金)-20日(日)
開場時間:11月18日(金)・19日(土) | 12:00 – 20:00
11月20日(日) | 12:00 – 17:00
※最終入場は閉場の30分前
会場:茅場町共同ビルディング・東京
〒103-0025 東京都中央区日本橋茅場町1丁目6-12
東京メトロ茅場町駅(日比谷線・東西線)9番出口直結
入場料:一般1500円、学生500円、小学生以下無料

More info:ART PHOTO TOKYO -edition zero-

 

tanaka.photo

田中功起, I considered the title of this work but it never come up. Following things could be related to the title.
1) I love to go out from the exhibition space because of BankART facing the sea.
2)There are so many trashes which some artists made and showed as art work before in BankART.
3) I want to make a raft using those trashes.
4) I think it’s not a question that the raft float on water or not but it’s good to be floating there.
, 2007, 400x600mm, ed.5

 

photo_orimoto

折元立身, The Document of ANIMAL ART 1978 – 2014 (LIMITED BOX), 2015, Movies, Catalogue raisonne, Photo, Box made of paulownia

 

photo_satoshi

橋本聡, Photographer: Bodybuilder, 2012, 73.8×110.8cm, ed.2of 5

dave-sinclair

Youth Training Scheme Protest, Liverpool, 25 April 1985. Photo courtesy of Dave Sinclair


Koki Tanaka: Liverpool Biennial 2016 (Open Eye Gallery, UK)

 

7.9 – 10.16, 2016


Liverpool Biennial


Festival of Contemporary Art

July 9–October 16, 2016

www.biennial.com

Twitter / Instagram / Facebook / #Biennial2016

Entrance to all exhibitions is free.

 

Artists:
Lawrence Abu Hamdan (Jordan/UK/Lebanon), Andreas Angelidakis (Greece/Norway), Alisa Baremboym (USA), Lucy Beech (UK), Mariana Castillo Deball (Mexico), Yin-Ju Chen (Taiwan), Ian Cheng (USA), Céline Condorelli (Italy/Switzerland/France), Audrey Cottin (France/Belgium), Koenraad Dedobbeleer (Belgium), Jason Dodge (USA), Lara Favaretto (Italy), Danielle Freakley (Australia), Coco Fusco (USA), Marvin Gaye Chetwynd (Australia/UK), Fabien Giraud & Raphaël Siboni (France), Hato (UK), Ana Jotta (Portugal), Samson Kambalu (Malawi/UK), Oliver Laric (Austria), Mark Leckey (UK), Adam Linder (Australia), Marcos Lutyens (UK), Jumana Manna (Palestine), Rita McBride (USA), Dennis McNulty (Ireland), Elena Narbutaite (Lithuania), Lu Pingyuan (China), Michael Portnoy (USA), Sahej Rahal (India), Hesam Rahmanian, Ramin and Rokni Haerizadeh (Iran), Koki Tanaka (Japan), Villa Design Group (UK/USA), Krzysztof Wodiczko (Poland), Betty Woodman (USA), Arseny Zhilyaev (Russia)

 

Liverpool Biennial 2016 explores fictions, stories and histories, taking viewers on a series of voyages through time and space, drawing on Liverpool’s past, present and future. These journeys take the form of six ‘episodes’: Ancient Greece, Chinatown, Children’s Episode, Software, Monuments from the Future and Flashback. They are sited in galleries, public spaces, unused buildings, through live performance and online. Many of the artists have made work for more than one episode, some works are repeated across different episodes, and some venues host more than one episode. 

 

Koki Tanaka Location:

Open Eye Gallery

19 Mann Island
Liverpool
L3 1BP

Open: daily 10am – 6pm

Collaborating Curator: Thomas Dukes.

 

When Koki Tanaka visited Liverpool for the first time, he came across a book, Liverpool in the 1980s, by photographer Dave Sinclair. The book contains images of a mass protest against the Conservative Government’s Youth Training Scheme, criticised as a means of providing cheap labour with no guarantee of a job at the end.

In Liverpool, where youth unemployment was as high as 80 percent in some areas, 10,000 young people took to the streets in opposition to the initiative. The march, which took place on 25 April 1985, began outside St George’s Hall and moved quickly down Dale Street, past the Town Hall, ending at the Pier Head. This wasn’t the route the organisers had planned, but the sheer enthusiasm of the students meant that the crowd moved fast and was hard to contain. For Tanaka, Sinclair’s photographs show an unusual combination of energy, optimism, joy and anger.

In June 2016, Tanaka revisited the scene of the protest, inviting original participants to share their memories of the event. They were joined by young people in order to reflect on the way in which the future that the students fought for in 1985 relates to the present political situation. This walk has been documented, and the resulting film is presented as part of the Children’s Episode and the Flashback episode, alongside photographs by Dave Sinclair.

 

(via: http://www.biennial.com/2016/exhibition/locations/open-eye-gallery_4)

 

KK1_7647

Koki Tanaka : Provisional Studies: Action #5 Conceiving the Past, Perceiving the Present (The Showroom, London, UK)

4.29 – 6.18, 2016

 

Date: 29 April – 18 June 2016

Venue: The Showroom
63 Penfold Street
London NW8 8PQ

Opening hours:
Wednesday – Saturday, 12-6pm

Event:
Koki Tanaka: Precarious Tasks #15: Exchange of Our Clothes and Books as Exchanging Our Body and Thoughts (Reconfiguration)

8 June 2016
Event Koki Tanaka: Night Market Revisited from 19th Century to Take a Stand

 

The commission is also supported by Vitamin Creative Space, The Japan Foundation, The Daiwa Anglo-Japanese Foundation and the Great Britain Sasakawa Foundation.

Liverpool Biennial and The Showroom are working in partnership on the commissioning of Koki Tanaka’s work in 2016.

Thanks to Lisson Gallery for equipment support.

 

More info: Koki Tanaka   The Showroom

 

A major new commission by Japanese artist Koki Tanaka, which will be his first solo exhibition in the UK.

Working with collaborative processes, Tanaka’s project departs from his curiosity about the local histories of The Showroom’s neighbourhood, Church Street. Through a series of collective actions involving a range of contributors, including local historians, senior citizens and school children, Tanaka suggests a composite approach towards how to read the present through the past, and about how these can be starting points for new social possibilities.

The staging of collective actions has been a central component of Tanaka’s work to date. Through sometimes seemingly absurd tasks – ranging from collective haircuts to piano playing and tea making – he develops scenarios where group dynamics and behaviours expose how multiplicity is a central part of contemporary experience. Tanaka sets up situations and allows them to play themselves out; believing that how we behave in a micro-society has implications for society has a whole.

At The Showroom he approaches the local vicinity as an archive of historical knowledge and events that retain a presence, and will summon these through communal actions and proposals in the lead up to and during the exhibition. Historical instances include the subversion of licensing laws when theatre goers had to swap buns for theatre tickets; brewing on the site of Paddington Green police station; the heavy bombing of the area in World War 2; the history of The Showroom’s building when occupied by the Palmer Tyre Company, who produced wheels, tyres, brakes and gun turrets for wartime fighter and bomber aircraft; and more recent histories of migration.

The actions and proposals include:

Local History Research Tour Towards The Green Man Pub
A group tour of local historical sites, including the war memorial on Hatton Street, ending at The Green Man pub.

Reading Aloud People’s Names in the Community
Pupils from King Solomon Academy compile a list of names of people in the community – such as shopkeepers, stallholders and school canteen workers – for a Roll Calling performance at Church Street market, referencing acts of communal remembrance.

Eating the History, Reflecting the Present (Whose Victory?)
Leading out of Tanaka’s interest in ‘victory gardens’ which were set up during World War 2 to help feed the nation, local residents will work with the artist to make food for The Showroom’s neighbourhood networking lunch, using wartime recipes and ingredients that were typically grown in victory gardens. The group will eat surrounded by film footage of air raids, the sound of contemporary bombing raids, and tyre fragments referencing The Showroom building’s former use during the war.

Durational Proposal: Walking as Someone Else or Someone Who Lived a Long Time Ago

Precarious Tasks #15: Exchange of Our Clothes and Books as Exchanging Our Body and Thoughts (Reconfiguration)
By bringing a favourite possession to pass on to another person, visitors can share in and take care of someone else’s personal history.

The outcomes of these works, as well as those of earlier actions by Tanaka, will be presented in the gallery as film, audio, billboard images and text within a specially designed installation of temporary structures.

tanaka_2016_mito1

Provisional Studies: Workshop #4 Possibilities for being together. Their configuration.(Production Still)
2015-2016|6-day communal retreat with workshops, video documentation


Koki Tanaka : Possibilities for being together. Their praxis. (Contemporary Art Gallery, Art Tower Mito, Ibaraki)

2.20 – 5.15, 2016

 

About: Possibilities for being together. Their praxis

 
Venue: Contemporary Art Gallery, Art Tower Mito
Dates: Saturday, February 20, 2016 – Sunday, May 15, 2016
Closed on Mondays (except March 21, public holiday) and March 22
Open Hours: 9:30-18:00 (no admittance after 17:30)
Admission: ¥800 (¥600 for advance ticket and group of more than 20 people)
*One ticket for three-time admission
Free of charge for children under 9th grade, seniors over 65, the disabled and one accompanying attendant
Organized by: Mito Arts Foundation
Grants from: The Kao Foundation for Arts and Sciences, The Asahi Shimbun Foundation
Sponsored by: Vitamin Creative Space
Supported by: AOYAMA|MEGURO, Asahi Breweries, LTD., ARTISTS’ GUILD, The Japan Foundation
Curated by: Yuu Takehisa (Curator, Contemporary Art Center, Art Tower Mito)


 

This exhibition marks the first large solo exhibition of Koki Tanaka in Japan. The artist has drawn much attention in recent years for his activities of seeking an alternative perspective and attitude to current social situations and existing frameworks, conducted through a variety of means such as video documentation, installation, writing, performance and organizing events. In the 55th Venice Biennale in 2013, Tanaka presented video works that included one that showed five potters working together on one pottery. Representing the beauty and difficulty of the act of collaborating on one thing, his works received international acclaim.
This exhibition focuses on Tanaka’s activity after 2010, when he started to be interested in the activities of collaboration, with his new work at the center along with his recent works.
The new work produced for this exhibition is based on the six-day lodging and a series of workshops conducted during that time, in which general participants, facilitators and camera crews stayed together under one roof. Throughout the six days, which consisted of reading, cooking, making pottery, workshop related to social movement, discussion, interviews and so forth, the opportunity was there for everyone to think, to have dialogues and to practice about moving and community. In the exhibition, several video works based on the video documentation of the workshop are exhibited, along with items such as notes the artist made during the production.

*The new video work is estimated to be 230 minutes long in total.

 


Notes on November 8, 2015 (as the Artist Statement)
On what kind of occasion do you open your heart to someone you have met for the first time?
In what kind of situation do you help someone next to you?
For what kind of reason do you trust someone, entrusting them with your own vulnerability?
We were living together and participating in a workshop in the mountain, away from everyday life. The camera crew stayed there as well, documenting the whole scene. I was there, you were there, and none of us know what it means yet. We cooked, read, enunciated, moved around, conversed, thought about society, did pottery and discussed. In a small society, we confirm our own positions, re-question our roles and sometimes find ourselves at a loss. We encounter the other, and care about that other in this way. You try to be together with someone you barely know, or even with others you can barely understand. To some, this situation is a natural one, while to others, it is something difficult to accept. The situation in this 6-day workshop may be provisional, artificial and temporary. However, if it is possible even temporarily, is it not possible whenever, wherever and with whatever?
Koki Tanaka

 

Koki Tanaka’s Biography

Born in 1975, Tanaka currently lives and works in Los Angeles. In his diverse art practice spanning video, photography, site-specific installations, and interventional projects, Tanaka visualizes and reveals the multiple contexts latent in the most simple of everyday acts. In his recent projects, he has documented behaviors that were unconsciously exhibited by people confronting unusual situations, such as one piece of pottery made by five potters and a piano played by five pianists simultaneously, seeking to reveal group dynamics in a micro-society and temporal community.
Tanaka has been showing widely, including at the Hammer Museum (Los Angeles), the Yerba Buena Center for the Arts (San Francisco), the Mori Art Museum (Tokyo), the Taipei Biennial 2006 (Taipei), the Gwangju Biennial 2008 (Gwangju), the Yokohama Triennale 2011 (Yokohama), and the Japan pavilion at the 55th Venice Biennale. He received a Special Mention for National Participation at the 55th Venice Biennale, 2013 and the Deutsche Bank Artist of the Year 2015 award. His publications include “Precarious Practice” (Hatje Cantz, 2015) and “Abstract Speaking—Sharing Uncertainty and Collective Acts” (NERO Magazine, The Japan Foundation, 2013). He also takes part in and collaborates with ARTISTS’ GUILD and Contemporary Art Think-tank.

Website: http://kktnk.com/

 

tanaka_2016_mito2

 

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Satoshi Hashimoto, Koki Tanaka : MOT Annual 2016, Loose Lips Save Ships (Museum of Contemporary Art Tokyo)

3.5 – 5.29, 2016


MOT Annual 2016 Loose Lips Save Ships

 

Period: March 5 (sat)-May 29 (sun) 2016
Closed on  Mondays (except for March 21,May 2, May 23), March 22

Opening Hours: 10:00-18:00
*Last admission to the gallery floor & last ticket purchase is 30minutes before the closing hour.

Venue: Museum of Contemporary Art Tokyo (MOT) Exhibition Gallery B2F
Admission:   Adults: 1,000yen University Students, Over 65: 800yen, High School & Junior High Students: 500yen, Elementary School & Under: Free

 

Artists:
Mai Endo+Yasuto Masumoto, Meiro Koizumi, Hajime Saito, Artur Żmijewski, Fuyuhiko Takata, Satoshi Hashimoto, Hikaru Fujii, Seiichi Furuya, Dan Perjovschi, Toru Yokota etc.

Organized by:
Tokyo Metropolitan Foundation for History and Culture, Museum of Contemporary Art Tokyo

Exhibition Direction:
Meiro Koizumi*, Yasuto Masumoto*, Hiroharu Mori*, Kazuhiko Yoshizaki(MOT)

Book Direction:
Koki Tanaka* + Arts Commons Tokyo(English sections:Yuki Okumura* + Art Translators Collective)
*=ARTISTS’ GUILD, MOT=Museum of Contemporary Art Tokyo

Graphic Design:
Kentaro Nakamura

 

Outline

Showcasing young artists who represent new trends in contemporary art in Japan, “MOT Annual” is a consecutive series of group exhibitions launched in 1999, organized by the Museum of Contemporary Art Tokyo. Co-curated by ARTISTS’ GUILD, an artist-led organization that develops experimental projects to improve the environments of artistic expression, this exhibition marks the MOT Annual’s 14th installment and is presented in a somewhat different format from its predecessors.

Surveying contemporary society, while everyone can now make their voice heard freely through the Internet, there is also growing intolerance against opinions that differ from the values of the majority. Various frictions created by this contortion are evident, and sites of creative expression are no exception. Under such circumstances, what kind of impact on society and people can artistic expression and action make by challenging existing sets of values and social norms, and raising radical questions?

Through in-depth discussions, ARTISTS’ GUILD and the museum have developed every aspect of the exhibition, from theme to structure. With artworks created by both Japanese and international artists, live performances, talks and a book publication, the project poses various questions concerning conditions of artistic expressions and social situations today. Recognizing the significance of acts of vocalization without fear of saying improper things, as the title “Loose Lips Save Ships” suggests, the exhibition aims to build a platform where multiple interpretations based on different perspectives intersect with one another.

 

About ARTISTS’ GUILD

ARTISTS’ GUILD (AG) is a form of social experiment initiated by artists to explore new possibilities for supporting art.
In 2009, AG launched a video equipment sharing system with the aim of reducing the financial burden for individual artists to make artworks and exhibitions. In 2013, AG established AG Productions LLC, an incorporated organization that engages in art praxis with a different approach to that of artists working individually by undertaking video documentation of exhibitions and related events.

ARTISTS’ GUILD HP

 

guild

 

ハーモニー

Koki Tanaka : Discordant Harmony” (Hiroshima City Museum of Contemporary Art, Hiroshima, Japan

 

12.19, 2015 – 3.6, 2016

 

Hiroshima Trilogy: 70th Anniversary of the Atomic Bombing
Part lll Discordant Harmony
web: http://www.hiroshima-moca.jp/exhibition/harmony/

Artists
Chen Chieh-Jen, Chiba Masaya, Ham Yang Ah, Hao Jingban, siren eun young jung, Kim Sora,

Koo Jeong A, Kwon Byung Jun, Lee Kit, Leung Chi Wo, Liu Ding, Takamine Tadasu, Tanaka Koki,
Teng Chao-Ming, Wu Tsang, Yoneda Tomoko

 

Date: December 19, 2015-March 6, 2016
Hours: 10:00-17:00 (Last admission 16:30)
Closed: Mondays (except January 11), January 12, December 27-January 1
Admission: Adults 1,030 (820) yen, university students 720 (620) yen, high school students and seniors[65 and over] 510 (410) yen
*Figures in parentheses: Advance purchase and groups of 30 or more
*Junior high school students and younger: Free admission
Organized by: Hiroshima City Museum of Contemporary Art, The Chugoku Shimbun
Presented by: Goethe-Institut
Supported by: Hiroshima Prefecture, Hiroshima Municipal Board of Education, Hiroshima FM Broad Casting Co., Ltd., Onomichi FM Broad Casting Co., Ltd.Exhibition equipment support: Panasonic Corporation