

AOYAMA | MEGURO presents "〈AWT GALLERIES〉The Constitution of JAPAN 2026" from November 4 as part of the AWT GALLERIES program of Art Week Tokyo.
Dates: Wednesday, November 4 – Sunday, November 29, 2026
Venues: AOYAMA | MEGURO; MUJIN-TO Production
Opening Hours During Art Week Tokyo (November 4–8):
Both venues: Daily, 10:00–18:00
Opening Hours After Art Week Tokyo (November 9–29):
AOYAMA | MEGURO
Monday and Friday: 13:00–19:00
Saturday and Sunday: 12:00–18:00
Closed: Tuesday–Thursday
MUJIN-TO Production
Monday and Friday: 13:00–19:00
Saturday and Sunday: 12:00–18:00
Closed: Tuesday–Thursday
Opening Reception: Wednesday, November 4, 18:00–20:00
Venue: MUJIN-TO Production
Planned and Organized by: AOYAMA | MEGURO and MUJIN-TO Production
Co-hosted by: “The Constitution of JAPAN” Production Committee
Curators: Greg Dvorak and Kenji Ono
Talks featuring the curators and participating artists will explore articles of the Constitution of Japan and the artworks on display.
Friday, November 13
18:00–19:00 — Talk (¥1,000, including one drink)
19:00–21:00 — Reception (free admission)
Venue: AOYAMA | MEGURO
Saturday, November 14
16:00–17:00 — Talk (¥1,000, including one drink)
17:00–19:00 — Reception (free admission)
Venue: MUJIN-TO Production
Dates: Wednesday, November 4 – Sunday, November 8, 2026
Organized by: Contemporary Art Platform
In Partnership with: Art Basel
Special Cooperation: Agency for Cultural Affairs, Government of Japan
Artists:
Keiji Fujimoto
Mayunkiki
MES
Haji Oh
Yoshiko Shimada
Satoshi Someya
Fuyuhiko Takata
Shota Yamauchi
Artists:
Panachai Chaijirarat
Cian Dayrit
Tatsuru Hatayama
Katsuko Ishigaki
Eisa Jocson
Sachiko Kazama
Sota Kodera
MES
Tuan Andrew Nguyen
Punyisa Sinraparatsamee
Satoshi Someya
Ken + Julia Yonetani
Cooperation: imura art gallery, Jam Acuzar, MISA SHIN GALLERY, MIZUMA ART GALLERY, OTA FINE ARTS, THIS IS NO FANTASY, WAITINGROOM, Yamaguchi Center for Arts and Media (YCAM), TAC Corporation
Sponsor: Ponzu House LLC
Japan’s current Constitution, which came into effect in 1947, was shaped by both compromise and a desire for national reinvention in the aftermath of war. Nearly eighty years later, it stands increasingly at the center of political debate in deeply uncertain times. The fourth iteration of this exhibition unfolds across two Tokyo galleries, drawing on the contrasting postwar histories of their surrounding neighborhoods to illuminate the gap between constitutional promises and the uneven worlds in which people actually live.
At MUJIN-TO Production in eastern Tokyo, “Shelter” focuses on resilience amid precarious conditions, asking how people resist erasure and improvise ways of surviving and making a place to live. At AOYAMA | MEGURO in western Tokyo, “Sweatshop” examines how power disciplines bodies, extracts labor, consumes land, and normalizes hidden violence as stability and comfort.
Moving between these two sites offers a way of reading the Constitution not only through what it has failed to protect, but also through the people who continue to test its limits and push for greater freedom and rights.
For the latest information, please visit our website:
https://www.tac-kenpou-art.jp/exhibition2026
Details: https://aoyamameguro.com/en/exhibitions/the-constitution-of-japan-2026