10月14日

Hirofumi Isoya : ASIA NOW 2018 Special Project “Transitional” An exhibition curated by the Mori Art Museum, Paris

Parallax Gesture (Red, Green)

2015

Framed Lambda print, red mattress, green stone

112 × 197 × 89 cm

We are pleased to announce that Hirofumi Isoya participates in ASIA NOW 2018
- Special Project Transitional

An exhibition curated by the Mori Art Museum

17 - 21 Oct 2018

ASIA NOW Paris Asian Art Fair
- Special Project “Transitional”

Venue:
9 Avenue Hoche,
Paris, 75008

Opening Hours:
Wednesday, October 17: 11am-7pm
Thursday, October 18: 11am-7pm
Friday, October 19: 11am-8pm
Saturday, October 20: 11am-8pm
Sunday, October 21: 11am-6pm

Artists:
-Bontaro Dokuyama
-Chiho Hayashi
-Hirofumi Isoya
-Masaharu Sato
-Nobuaki Takekawa
-Nobuko Tsuchiya

Curators:
-Reiko Tsubaki (Mori Art Museum)
-Hirokazu Tokuyama (Mori Art Museum)

More info: https://www.asianowparis.com/en/2018/roppongi-crossing-prelude-2019/

The ASIA NOW 2018 Japanese Platform joins forces with two curators from the Mori Art Museum to offer an exclusive preview of select works by emerging artists from Japan.

Japan is often talked about as a mysterious country, under the clean and high-security circumstances, the high-tech city with pop gadgets, as animation and games could co-exist with animism and the primitive sense. On the other hand, with the big issue of the declining birthrate and aging, the acceleration of digital technology including the information communication technology, a new problem is occurring caused by these issues. Contrary to the diversity commonsense, many “gaps” are emerging as well.

In “Transitional”, 6 artists are selected from “Roppongi Crossing 2019” at the Mori Art Museum on the theme of “transitional existence” or “connection between the gaps”. Their works would light up the “connection between the opposite” as “imagination and reality”, “Past and Future”, “Nature and Civilization”, “Cats’ worlds and Human being’s world”. As the third way or point of view, these “transitional” existences could give us the precious opportunity to confront with “nowadays”.