Teppei Soutome, White,Black, Colors, 2015, acrylic on canvas, 362 x 201 cm
NADA Miami Beach 2015:Booth #4.17
12.3 – 5. 2015
Aoyama Meguro will be participating in NADA ART FAIR Miami Beach 2015.
December 3 – 5, 2015
Admission is free and open to the public.
NADA Miami Beach 2015
The Fontainebleau Miami Beach
4441 Collins Ave
Miami Beach, FL 33140
http://www.newartdealers.org/
Artist:
Teppei Soutome / Chosil Kil
Artspace:
http://www.artspace.com/partners/aoyama_meguro
More Infomation:
http://www.newartdealers.org/Fairs/2015/MiamiBeach
Chosil Kil, Apple of her eye, 2015
– Sculptures –
Why Does Love Got To Be So Sad ?
17 Feb – 2 Mar 2012
date: 17 Feb – 2 Mar 2012
* Opening hours : 〜21:00, 17 Feb
venue: Aoyama Meguro
2-30-6 Kamimeguro Meguroku Tokyo Japan 153-0051
Artists: Koki Tanaka, Lotte Lyon, Euan Macdonald, Chosil Kill, Shinya Aota, Hiroaki Morita, Kazuo Okazaki
Installation view
(Installation view of her Solo Exhibition / Photography:Dallas Museum of Art)
Chosil Kil : THE SCHOOL OF NATURE AND PRINCIPLE (EFA Project Space, NY)
4.10 – 5.30. 2015
April 10, 2015 through May 30, 2015
http://www.projectspace-efanyc.org/the-school-of-nature-and-principle
EFA Project Space,
323 W. 39th St., 2nd Floor, New York NY 10018
Opening Reception: Friday, April 10, 6–8 pm
Participating Artists:
Javier Barrios, Tyler Coburn, Regina Jose Galindo, Rodrigo Hernandez, Federico Herrero,
Akira Ikezoe, Chosil Kil, Catalina Leon, Gabriel Lester, Naufus Ramirez–Figueroa, and Yu–Hsien Su.
Curated by Emiliano Valdes
Newly Commissioned Work by Regina Jose Galindo, performed by the Grace Chorale of Brooklyn, 6:30–7:30 pm
The School of Nature and Principle is an ensemble of works speculating on the relationship between metaphysics and various aspects of contemporary society. The exhibition also addresses, partly through the way it was conceived, the gradual evolution (or deterioration) of highly organized thought systems from their initial implementation to their eventual adaptation to society and actual human behavior. Taking Neo-Confucianism as his departure point (specifically the branch known as the School of Nature and Principle, which proposes a way of relating to and behaving in the world), curator Emiliano Valdes has assembled an international group of artists whose work explores the validity of non-rational knowledge, our relation to the natural world and technology, and simply what it means to be alive today.
EFA Project Space is grateful to the Asia Art Archive in America and the Hunter College Department of Art and Art History for their help in facilitating this exhibition.
Chosil Kil,
London-based artist Chosil Kil continues her exploration of the liminal space between interior and exterior; material and immaterial; object and performance. These binaries are considered through references to the artist’s own body, with works such as helium-filled balloons or canvases made of leather/lambskin purposefully hung at the artist’s height. These floating objects and wall-works double as bodies in space that beckon to the viewer, insisting their presence be acknowledged. The artist is also keenly aware of how objects occupy and manipulate space and sound, playing with concepts of volume and resonance.
Chosil Kil : Concentrations 58 (DALLAS MUSEUM OF ART, Dallas)
2.20 – 8.2. 2015
February 20, 2015 to August 2, 2015
Barrel Vault and Hanley, Lamont, Rachofsky, and Stoffel Galleries
Directions
Dallas Museum of Art1717 North HarwoodDallas, Texas 75201
Hours
Friday*: 11:00 a.m.–5:00 p.m.
* On Late Night Fridays (third Friday of the month, excluding December), the Museum is open until midnight.
In her first U.S. museum solo show, London-based artist Chosil Kil continues her exploration of the liminal space between interior and exterior; material and immaterial; object and performance. These binaries are considered through references to the artist’s own body, with works such as helium-filled balloons or canvases made of leather/lambskin purposefully hung at the artist’s height. These floating objects and wall works double as bodies in space that beckon to the viewer, insisting their presence be acknowledged. The artist is also keenly aware of how objects occupy and manipulate space and sound, playing with concepts of volume and resonance.
For Concentrations 58: Chosil Kil, the artist will present a new site-specific installation in the DMA’s Stoffel Quadrant gallery including a group of new wall works. Off-site performances are planned and will be announced at a later date. The DMA’s Concentrations series began in 1981 and presents project-based solo exhibitions by international emerging artists.
Admission is FREE
ArtAsiaPacific (March – April 2015) Cover: Chosil Kil, Doubles
http://no.zinio.com/magazine/ArtAsiaPacific/pr-500651922/cat-cat1960040
Chosil Kil : Under35/Chosil Kil (BankART Studio NYK 1F / Mini Gallery,Yokohama)
9.5 – 9.17.2014
「Under35/Chosil Kil」
2014.9.5~ 9.17 10:00~19:00
reception for the artist:Sep.8th 18:30~
BankART Studio NYK 1F / Mini Gallery,Yokohama)
TEL 045-663-2812 FAX 045-663-2813
info@bankart1929.com
http://www.bankart1929.com
http://www.bankart1929.com/eastasia/
Installation view Chosil Kil:The eagle has landed
4.19. sat – 5.24. sat. 2014
Movie : https://vimeo.com/96776871
Chosil Kil:The eagle has landed Apr. 19 – May 24, 2014 ※ open : 11: 00 – 19: 00 close :sundays, holidays Installation view Opening Reception:Saturday, April 19, 19 – 21 pm
Chosil Kil
(One hour) long exhibition
With paintings by Chosil Kil, sculptures by Marie Lund, sound by Tr
Kirstein&Johns Lunds
10th November, 7 – 8 pm
Supplement
-Sculptures-
Why Does Love Got To Be So Sad ?
Artists: Koki Tanaka, Lotte Lyon, Euan Macdonald, Chosil Kill, Shinya Aota, Hiroaki Morita, Kazuo Okazaki
at Aoyama Meguro
17 Feb – 2 Mar 2012